I use photography and 3D to sustain a liminal space. I’m interested in how the human gesture can interrogate our understanding of the digital realm and, in turn, how the current technological landscape redefines the space of sensory experience.

Beyond the rigid boundaries between the physical and the digital, I’m drawn to notions of entanglement. This perspective regards the digital environment as an affective dimension of our daily lives. It also raises the question of what alternative temporalities might emerge within this technological landscape.

My method is counterintuitive: I use current technologies to go slower. The image ceases to move in service of storytelling in order to make space for the simplest questions within the work: what does it even mean to understand what a medium is? How is it produced? How do we interact with it? How does technology relate to reality?

The medium is the message, but sensation is the medium. It is a reverberating network. It is not ironic; it is empathetic. Closeness shapes the environment, and in turn, is shaped.