I use photography and 3D to underpin a liminal space. I am interested in how the human gesture can interrogate our understanding of the digital realm and, in turn, how the current technological landscape redefines the space of sensory experience.

I use current technologies to go slower. My method is counterintuitive: the image stops moving in service of storytelling to include within the work the simplest questions—what it even means to understand what media is, how it is produced, and how we interact with it. How does technology relate to reality?

The medium is the message, but sensation is the medium. It’s a reverberating network. It’s not ironic; it’s empathetic. Closeness shapes the environment and, in turn, it is shaped.