I use photography and 3D to underpin a liminal space. I am interested in how the human gesture can redefine our understanding of the digital environment, and in turn, how the current technological environment redefines the space of sensory experience.

My method is counterintuitive. I use current technologies to go slower.  The image stops moving in service of storytelling to include within the work the simplest questions, what it even means to understand what media is, how it is produced, how we interact with it. The image not only jumps  into reality but is allowing for presence.

The medium is the message, but sensation is the medium. It’s a reverberating network. It’s not ironic, it’s empathetic. Closeness shapes the environment and, in turn, is shaped.