I tried to produce a work that is out of sync with the communicational codes of the digital environment. My concern lies in how, instead of prioritizing the speed or unidimensionality inherent in digital communication, to bring forth in the current media context the possibility of a gesture that reflects deep human sensations. How to continue giving voice to the irreconcilable experiences that make up life.

Through visuality, I attempt to propose a kind of game around where meaning begins to be produced. Is it the act of framing? Is it from the theater within the frame? When do context and content become read together?

It would be more common to use the same technology to produce an animation or a narrative intrigue in which the characters assume a role. But I want to present 3D as a theater in which past media perform. My work aims to point to a liminal space, there are images that could pass for photographs, others for sculptures, all presented together. It is a theater inside a theater, a bunch of pixels representing a sculpture representing a human being photographed.

It is a question about the interplay and how we relate to technology.